boy who played with fusion Book-Jacket-copy-199x30

The Boy Genius and the Genius in All of Us A review of The Boy Who Played with Fusion, by Tom Clynes

boy who played with fusion Book-Jacket-copy-199x30In The Boy Who Played with Fusion, Tom Clynes tells a fascinating story about a boy’s pursuit of a passionate interest in nuclear physics, and draws some surprising conclusions about the nature and development of genius-level intelligence. Clynes considers the roles played not only by innate ability and environmental factors such as parenting, teaching, and mentoring, but also by temperament, motivation, culture, and politics.

The Boy Who Played with Fusion chronicles the remarkable childhood and adolescence of physics prodigy Taylor Wilson, now 21 years old. Taylor did his first enormously successful TED Talk at the age of 17, and has already investigated such arcane topics as magnetic confinement fusion, radioactivity, and gamma ray lasers. He has several inventions and patents under his belt, including a specialized particle accelerator that could revolutionize the production of diagnostic pharmaceuticals, at one-thirtieth the cost and one-tenth the floor space of conventional methods; and a portable neutron detector that promises to counter terrorism. He is a young superstar who has attracted attention from Nobel prizewinners, Barack Obama, and the media.

The Boy Who Played with Fusion is also a book about parenting and education in America today. Clynes raises important questions about the nature of genius, and how best to nurture its development. He concludes that parents are the most important catalysts of each child’s intellectual development. “The challenge is to find the outlet that best fits a person’s unique set of interests and characteristics,” he writes. “As a start, give kids lots of exposure to different experiences in their younger years, and pay attention to what they pick up on.” (p. 273) He recommends pulling kids out of school if that’s the best way to give them authentic learning experiences in areas of deep curiosity. He observes that attendance and grades are a lot less important than actual learning, especially in the early years.

Taylor Wilson thrived at the Davidson Academy for highly gifted learners, but his brother Joey, who scores higher than Taylor on intelligence tests, did not. After thinking about this, and talking to a number of gifted education experts, Clynes concluded that gifted education needs to be individualized; a one-size-fits-all gifted program can’t possibly work for everyone. Educators better serve children when they focus on (1) encouraging kids to discover and explore their values, goals, and interests; (2) helping kids develop talents into fulfilling careers that will provide a foundation for a happily productive life; and (3) encouraging the kind of intellectual risk-taking that moves a field’s or a society’s knowledge and practice forward. Specific educational approaches that worked for Taylor at Davidson that Clynes argues should be applied by all educators include individualized learning, targeted acceleration, dual enrolment (high school and university simultaneously), and the acceptance of every kind of diversity.

Amazingly for such an erudite subject, The Boy Who Played with Fusion is a pleasure to read. It’s beautifully written, in an intelligently thoughtful and accessible tone. Clynes enlivens challenging intellectual concepts with personal observations, concerns, and questions. Seamlessly, he weaves into the story informal conversations with all the players in Taylor Wilson’s story, as well as with a wide variety of educational and psychological researchers, including Carol Dweck, David Henry Feldman, Susan Cain, Ellen Winner, Scott Barry Kaufman, Joan Freeman, Barbara Kerr, Dean Keith Simonton,and David Lubinski, among many others. “Take your kids places,” writes Clynes, summarizing the extensive and growing body of evidence that suggests that a lasting capacity for creativity is enhanced by early exposure to unusual and diverse situations. “Early novel experiences play an important role in shapingthe healthy development of brain systems that are important for effective learning and self-regulation, in childhood and beyond.” (p. 75)

Although the subject of this book is extraordinary in many ways, Clynes’s attitude toward talent is not exclusive, elitist, or person-centered. He is aware of the confluence of circumstances required to nurture the development of giftedness and talent, and remarks that “the latest research suggests that nearly everyone has the capacity to achieve extraordinary performance in some mode of expression, if each can discover opportunities in a domain of expertise that allows his or her unique set of personal attributes to shine.” (p. xv)

Clynes makes it clear that talent development is not about money. As Taylor Wilson’s story illustrates, optimal child development experiences do not need to be expensive: “Whether we use it or not, we have the recipe…parents who are courageous enough to give their children wings and let them fly in the directions they choose; schools that support children as individuals; a society that understands the difference between elitism and individualizededucation and that addresses the needs of kids at all levels.” (p. 281)

The Boy Who Played with Fusion is an essential contribution to our understanding of the most important underlying questions about the development of giftedness, talent, creativity, and intelligence. It is urgently relevant to every parent, teacher, psychologist, educational administrator, and policy-maker who cares about children’s learning and about the future of our civilization.

For more:

The Boy Who Played with Fusion, by Tom Clynes

Beyond Intelligence: Secrets for Raising Happily Productive Kids, by Dona Matthews and Joanne Foster 

the wonder of the ordinary

The Wonder of the Ordinary: A Crucible for Creativity, Talent, and Genius

the wonder of the ordinary

Parents can help their kids find their own particular kind of genius by encouraging their sense of wonder in the ordinary. You may or may not want your child to be a genius—an exceedingly rare and extraordinarily high achiever in a particular field—but you can help him develop his intelligence, creativity, and talents, by ensuring he has enough time for unstructured play and daydreaming.

In The Parent’s Tao Te Ching: Ancient Advice for Modern Parents, William Martin wrote, “Do you have agendas for your children that are more important than the children themselves? Lost in the shuffle of uniforms, practices, games, recitals, and performances can be the creative and joyful soul of your child. Watch and listen carefully. Do they have time to daydream? From your children’s dreams will emerge the practices and activities that will make self-discipline as natural as breathing.”

Read more

Geniuses Are Made, Not Born

Scott Barry Kaufman distinguishes genius (extraordinary adult performance that moves a field forward, like Einstein or Freud) from precocity (a child’s ability to do something at an adult level of competence–amazing for a child, but not noteworthy for an adult). He observes that ‘We must stop referring to the precocious as “geniuses” and see their feats for what they are: early signs that the child may be ready to start the long, arduous path to acquire the expertise required to learn, or even change, existing paradigms.’

He concludes by saying that although genes matter in a whole lot of way, ‘genius involves figuring out who you are, and owning yourself.’

http://www.creativitypost.com/psychology/geniuses_are_made_not_born#.UCE-KLtnO1k.facebook